A dialogical tour through the exhibition The Making of Modern Art with Quinsy Gario and Steven ten Thije, at Van Abbemuseum (Eindhoven, The Netherlands).
Between 2017 and 2020, the Van Abbemuseum is hosting a series of projects around the exhibition The Making of Modern Art. This exhibition combines modern masterpieces from the Van Abbemuseum collection – by Mondrian, Picasso, Sol LeWitt, Kandinsky and Léger – with an experimental story that re-tells the 'making of' modern art. Through a set of specially-designed atmosphere rooms, modern art is set in the broader social and political zeitgeist of the 'modern', and its links with darker parts of modernity's histories.
Steven ten Thije, co-curator of the exhibition (with Christiane Berndes and Charles Esche), spoke with Quinsy Gario, a visual and performance artist of Dutch-Caribbean descent. They conversed through the exhibition, rethinking perceptions of modernity, the framing of aesthetic value, the idea of progress, the impacts of trade and wider social, political and economic contexts of the 'modern' era. They also addressed the context of this collection in relation to the Netherlands' place within the modern – domestically, within Europe, and in relation to imperial projects.
Recorded at Van Abbemuseum, Eindhoven, 27 April 2017
Video production: Ron Eijkman
Exhibition: The Making of Modern Art, 29 April, 2017 to 3 January, 2021
Curators: Christiane Berndes, Charles Esche, Steven ten Thije
Stališča in mnenja, objavljena v tej rubriki, odražajo načela akademske svobode in ne odražajo nujno stališč konfederacije L'Internationale in njenih članov.
Related activities
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–Van Abbemuseum
The Soils Project
‘The Soils Project’ is part of an eponymous, long-term research initiative involving TarraWarra Museum of Art (Wurundjeri Country, Australia), the Van Abbemuseum (Eindhoven, Netherlands) and Struggles for Sovereignty, a collective based in Yogyakarta, Indonesia. It works through specific and situated practices that consider soil, as both metaphor and matter.
Seeking and facilitating opportunities to listen to diverse voices and perspectives around notions of caring for land, soil and sovereign territories, the project has been in development since 2018. An international collaboration between three organisations, and several artists, curators, writers and activists, it has manifested in various iterations over several years. The group exhibition ‘Soils’ at the Van Abbemuseum is part of Museum of the Commons. -
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–MSU ZagrebVan AbbemuseumModerna galerijaZRC SAZU
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MSU (Zagreb), Van Abbemuseum (Eindhoven), MG+MSUM (Ljubljana), ZRC SAZU (Ljubljana) and L'Internationale invite applications for the new School of Common Knowledge (SCK) to be held in Zagreb and Ljubljana 24–29 May 2024. The School of Common Knowledge draws on the network, knowledge and experience of the L’Internationale museum confederation. Its ambition is to be both nomadic and situated, looking at specific cultural and geopolitical situations while exploring their relations and interdependencies with the rest of the world. The SCK is built on the basis laid by the Glossary of Common Knowledge project initiated by Zdenka Badovinac and Moderna galerija (Ljubljana) and continues its co-learning methodology.
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–MSU ZagrebVan AbbemuseumModerna galerijaZRC SAZU
School of Common Knowledge
School of Common Knowledge draws on the network, knowledge and experience of the L’Internationale museum confederation. Built on the basis laid by the Glossary of Common Knowledge, a project initiated by Zdenka Badovinac and Moderna Galerija in Ljubljana, it continues its co-learning methodology. Its ambition is to be both nomadic and situated, looking at specific cultural and geopolitical situations while exploring their relations and interdependencies with the rest of the world.
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