Art at Work – At the Crossroads between Utopianism and (In)Dependence
Edited by Tamara Soban
Graphic Design: New Collectivism
Published by Moderna galerija
2022
Keywords
Contents
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1.Foreword
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2.Changing Roles: Art as Work in the Yugoslav and Post-Yugoslav Contexts
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3.Art Is Work
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4.Walter De Maria, The Šempas Family, Goran Đorđević, György Galántai, Gorgona, Tomislav Gotovac, IRWIN, Neue Slowenische Kunst, New Tendencies, OHO, Marika & Marko Pogačnik, Zoran Popović, Mladen Stilinović, Raša Todosijević, Goran Trbuljak, TV Gallery
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5.Impure, Democratic, Concrete: the Westeast Project
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6.On Collectivizing: Narratives about Yugoslav Avant-Garde Art Collectives and Examples of Feminist Interventions
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7.The Archive of Sanja Iveković, Džuverović (she/her), Vukica Đilas, Conference Drug-ca žena, Darinka Pop-Mitić
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8.The Independent Scene 1990–1999
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9.Impro League: Organizing Civil Society Work in Art in the 1990s
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10.Politics of (Artistic) Work
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11.Can We, the Cultural Workers, Speak?
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12.Converging Struggles: Labor, Art, and Social Movements
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13.Artistic Work as a Performative Category and Political Gesture
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14.Newsreel Front, Damir Avdić, Milijana Babić, Jože Barši, Danica Dakić, Lenka Đorojević & Matej Stupica, Šejma Fere, Igor Grubić, Hristina Ivanoska, Sanela Jahić, Filip Jovanovski
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15.Doruntina Kastrati, Božena Končić Badurina & Duga Mavrinac, Andreja Kulunčić, KURS (Miloš Miletić & Mirjana Radovanović), Siniša Labrović, Irena Lagator Pejović, Nebojša Milikić & Jelena Mijić, Darinka Pop-Mitić
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16.Uroš Potočnik, Radical Education Collective, Rena Rädle & Vladan Jeremić, Škart & Horkeškart, Biljana Tanurovska – Kjulavkovski & Ivana Vaseva, ULUS – The Association of Fine Artists of Serbia, Via Negativa, Za K.R.U.H., Zrenjanin Social Forum
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17.Biographies
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18.Colophon
The Art at Work catalogue looks at three different segments of the genealogy of the concept of (artistic) work in the region of the former Yugoslavia: first, the way work was conceived by the avant-garde artists of the 1960s, 1970s, and 1980s (time of socialism); next, the transformations of the concept of artistic work and art spaces in the 1990s (time of war and transition); and lastly, the labor-related political art practices since 2000.