’internationale
EN

Glossary of Common Knowledge, Vol. 2

Edited by Ida Hiršenfelder

Graphic Design: New Collectivism

2022
ISBN 978-961-206-153-1
pdf

Contents

  1. 1.
    On Making the Glossary
  2. 2.
    Geopolitics
  3. 3.
    Introduction: On Repetition
    Zdenka Badovinac
  4. 4.
    Air travel
    Steven ten Thije
  5. 5.
    Anti-fascism
    Kuba Szreder
  6. 6.
    Earth
    Ida Hiršenfelder
  7. 7.
    Ecofeminism
    Sara Buraya Boned
  8. 8.
    Emancipatory propaganda
    Jonas Staal
  9. 9.
    Epistemic diversity
    Maria Iñigo Clavo
  10. 10.
    Harbours
    Anja Isabel Schneider
  11. 11.
    Instant
    Meriç Öner
  12. 12.
    New extractivism
    Vladan Joler, Kate Crawford
  13. 13.
    Occidentosis
    Vali Mahlouji
  14. 14.
    Self-organisation
    Miran Mohar
  15. 15.
    Shipwrecks
    Jesús Carrillo
  16. 16.
    Solidarity
    María Berríos
  17. 17.
    Southeast Asia
    Chương-Đài Võ
  18. 18.
    Southern constellation
    Bojana Piškur
  19. 19.
    Commons / Solidarity
  20. 20.
    Introduction: Antigones Against the Monsters of Heartbreak: Imagine everyday utopias in times of pandemics
    Yayo Herrero
  21. 21.
    Care is conflictual
    Maddalena Fragnito
  22. 22.
    Decommodification
    Miha N’toko Blažič
  23. 23.
    Hapticality
    Kike España
  24. 24.
    I, a __________
    Bojana Piškur
  25. 25.
    Interdependence
    Zdenka Badovinac
  26. 26.
    La perruque
    Onur Yıldız
  27. 27.
    Liberation
    Gal Kirn
  28. 28.
    Lucid interval, The
    Rasha Salti
  29. 29.
    Performance of care
    Joanna Zielińska
  30. 30.
    Raised fist
    Pablo Martínez
  31. 31.
    Re-dit-en-un-in-(a)-learning
    Yolande Zola Zoli van der Heide
  32. 32.
    Repair
    Natalia Sielewicz
  33. 33.
    Revolt
    Javiera Manzi A.
  34. 34.
    School
    Theo Prodromidis
  35. 35.
    Situated museum
    Jesús Carrillo
  36. 36.
    Translation
    Jennifer Hayashida
  37. 37.
    Subjectivisation
  38. 38.
    After
    Jesús Carrillo
  39. 39.
    Being ecological
    Jakub Depczyński, Bogna Stefańska
  40. 40.
    Being silent
    Yuji Kawasima
  41. 41.
    Choice
    Ida Hiršenfelder
  42. 42.
    Disappointment
    Nicolás Cuello
  43. 43.
    Disidentification
    Pablo Martínez
  44. 44.
    Empathy
    Joanna Zielińska
  45. 45.
    mOther(ness)
    Maja Smrekar
  46. 46.
    Negotiated imagination
    Ram Krishna Ranjan
  47. 47.
    Queering
    Diego Marchante “Genderhacker”
  48. 48.
    Rewilding
    Abhijan Toto
  49. 49.
    Ruåttvuõttâd
    Pauliina Feodorof
  50. 50.
    Şkl
    Deniz Gül
  51. 51.
    Vulnerability
    Elisa Fuenzalida
  52. 52.
    Constituencies
  53. 53.
    After constituencies – constituencies?
    Bojana Piškur
  54. 54.
    An afterword
    Jesús Carrillo
  55. 55.
    Crowd of the dead, The
    Mick Wilson
  56. 56.
    Direct action
    Tjaša Pureber
  57. 57.
    In/vested
    Sophie Mak-Schram
  58. 58.
    Known unknowns
    Fatma Çolakoğlu
  59. 59.
    Post-exhibitionary
    Alistair Hudson
  60. 60.
    Process
    Vivian Heyms, Steven ten Thije
  61. 61.
    Reclaiming temporalities
    Fran MM Cabeza de Vaca
  62. 62.
    Rehearsal
    Joanna Zielińska
  63. 63.
    Strange (propaganda) tools
    Sebastian Cichocki
  64. 64.
    Territory
    Nancy Garín Guzmán, Antoine Silvestre
  65. 65.
    L’Internationale Confederation
  66. 66.
    Biographies
  67. 67.
    Index of Terms
  68. 68.
    Index of Names
  69. 69.
    List of Figures
  70. 70.
    Colophon

The terms by more than fifty narrators presented in this volume were discussed and written between 2019 and 2022 during seminar meetings to bring together diverse knowledges from the museums as well as the so-called global family of artists, thinkers and curators. They seek to find common knowledge to speak about less visible stories in contemporary art and to address systems that govern our ways of thinking in art and beyond. The project has been ongoing since 2014, and it was conceived and curated by Zdenka Badovinac, Bojana Piškur and Jesús Carrillo in the context of L’Internationale confederation of museums as a method of addressing the so-called referential fields.

The first series of discussions was published in 2018. For this second edition, we repeated the same referential fields to re-examine how the conditions in our cultural landscape have changed in the drastic raptures of pandemic, war, climate catastrophes, a conservative turn and political upheavals. One of the most visible shifts in this volume compared to the previous edition is a clear need to address the growing urgency of climate change, and to stress the anthropogenic colonial origin of the cataclysmic events, moreover, to entangle this continuous crisis through troubled thinking, and propose not to resign. This volume is also marked by the COVID-19 pandemic and the implications it had on escalating power struggles and injustices.

Contributors of terms: Zdenka Badovinac, María Berríos, Miha Blažič (N’toko), Sara Buraya Boned, Jesús Carrillo, Sebastian Cichocki, Fatma Çolakoğlu, Nicolás Cuello, Jakub Depczyński, Kike España, Pauliina Feodoroff, Maddalena Fragnito, Elisa Fuenzalida, Nancy Garín Guzmán, Deniz Gül, Jennifer Hayashida, Ida Hiršenfelder, Alistair Hudson, Maria Iñigo Clavo, Goran Injac, Vladan Joler, Yuji Kawasima, Gal Kirn, Ram Krishna Ranjan, Vali Mahlouji, Sophie Mak-Schram, Javiera Manzi A., Diego Marchante “Genderhacker”, Pablo Martínez, Miran Mohar, Meriç Öner, Bojana Piškur, Theo Prodromidis, Tjaša Pureber, Rasha Salti, Anja Isabel Schneider, Natalia Sielewicz, Antoine Silvestre, Maja Smrekar, Jonas Staal, Bogna Stefańska, Kuba Szreder, Steven ten Thije, Abhijan Toto, Fran MM Cabeza de Vaca, Chương-Đài Võ, Mick Wilson, Onur Yıldız, Joanna Zielińska, and Yolande Zola Zoli van der Heide.

Curated by Zdenka Badovinac, Ida Hiršenfelder, Bojana Piškur and Jesús Carrillo. Published by Moderna galerija, Ljubljana, 2022.

To purchase the full publication, please contact the bookstore in the Museum of Modern Art, Ljubljana, or the bookstore in the Museum of Contemporary Art Metelkova, Ljubljana.