Sonic and Cinema Commons
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The Kitchen, an Introduction to Subversive Film with Nick Aikens, Reem Shilleh and Mohanad Yaqubi
Nick Aikens, Subversive FilmSonic and Cinema CommonslumbungPast in the PresentVan Abbemuseum -
Live set: Apotome
Khyam AllamiSonic and Cinema Commons -
Opening Performance: Song for Many Movements, live on Radio Alhara
Jokkoo with/con Miramizu, Rasheed Jalloul & Sabine SalaméEN esInternationalismsSonic and Cinema CommonsPast in the PresentMACBA -
Mix tape: Let's funk up all genders!
Materia Hache / Others to the FrontEN esSonic and Cinema CommonsSituated OrganizationsMuseo Reina Sofia -
Live set: Una carta de amor a la intifada global
PrecolumbianEN esInternationalismsSonic and Cinema CommonsPast in the PresentMACBA -
Broadcast: Towards Collective Study in Times of Emergency (for 24 hrs/Palestine)
L’Internationale Online Editorial Board, Rana Issa, L’Internationale Confederation, Vijay PrashadInternationalismsSonic and Cinema Commons -
Present Present Present. On grounding the Mediateca and Sonotera spaces in Malafo, Guinea-Bissau
Filipa CésarSonic and Cinema CommonsPast in the Present -
Mix tape: International
Roberta Miss aka Nur/SeSonic and Cinema CommonsM HKA -
Sonic and Cinema Commons: Editorial
L'Internationale Online Editorial BoardSonic and Cinema Commons -
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Visions of Panafrica. Film programme
Visions of Panafrica is a film series that builds on the themes explored in the exhibition Project a Black Planet: The Art and Culture of Panafrica, bringing them to life through the medium of film. A cinema without a geographical centre that reaffirms the cultural and political relevance of Pan-Africanism.
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Museo Reina Sofia
Cinema Commons #1: On the Art of Occupying Spaces and Curating Film Programmes
On the Art of Occupying Spaces and Curating Film Programmes is a Museo Reina Sofía film programme overseen by Miriam Martín and Ana Useros, and the first within the project The Cinema and Sound Commons. The activity includes a lecture and two films screened twice in two different sessions: John Ford’s Fort Apache (1948) and John Gianvito’s The Mad Songs of Fernanda Hussein (2001).